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“Any artist who does cross the peaceful Palestinian picket line, regardless of intentions, is used by Israel’s far-right apartheid regime to whitewash, or ‘artwash’, and therefore perpetuate its system of oppression against Palestinians.” Palestinian musician Samir Eskanda writes about why the cultural boycott of Israel is vital for the peaceful struggle against Israeli apartheid.
“To have the confidence to stand up and sing in front of a large crowd having been through such traumatic experiences is truly awe-inspiring.” Guardian journalist Jessie McDonald writes about a moving performance.
“In what seems like a whole lifetime away now, a group of nineteen of us travelled to Nicaragua to catch up with some of the communities that Amos has been supporting these past 5 years through the work of our partner CEPAD. Some of us had been before and had seen what life was like at the start of their 5-year programme and then 3 years in — and others were new to the country.” Caroline Bone writes.
“If Donald Trump is re-elected President this November, then 2020 will become a defining year for Israel/Palestine. The ever-shrinking space for justice will take another mighty contraction as the consequences of Trump’s ‘Vision for Peace’ start to play out.” Amos trustee Robert Cohen writes.
“Today, over 7 million Palestinians live as refugees or displaced persons across the Middle East and beyond — descendants of those displaced during the 1947-49 war, and those who have been subject to forced displacement under the Occupation of Palestine by Israel since 1967.” Chris Rose writes about Nakba Day 2020
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